'Warp', from Hartigan's 'Infinity' series, plays with our spatial perception, compositional elements appear free to move or recombine into another order. Here, visual contradictions abound, the image floats, submerges and blends, suggesting discovery of further dimensions. A fine line exists between the 'actual and the indefinable'; the combination of perception and imagination intrigues me -­‐ the seen and the unseen