LATE ENTRY TO BE SOLD AS LOT 120e

Note: This is a late entry that does not appear in catalogue.

All late entries will be sold immediately after Lot 120. This work will be Lot 120e

Provenance: Private Collection, Dunedin

Reed's youthful ambition was to become a landscape painter but he found the pre-war mood inescapable, saying 'I realised there was a limit to the idea of doing pretty pictures.'

His recognition of the ideological and spiritual crisis facing humanity in the 1930s resulted in paintings such as Armageddon and Visitation, works now held in public collections.

Reed mentioned that he wanted to introduce elements of religious painting into his work reflecting death and destruction being committed in the name of Christianity.

He sought to portray the world we are making, as well as something spiritual in his work. His use of religious imagery and the issues they raised resulted in challenging works, somewhat ahead of their time.

International Art Centre have held two exhibitions of his work since his death in 1996. The Estate Collection, a sellout show of forty eight works in 2002, and then in 2004 The Religious Paintings, twenty four works featuring his religious studies.